Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
Sound & music
Sound & music
Composition, sound effects, voice, sound on image and mixing. Present your audio tracks, your intentions and your role in the production.
Community sounds
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Professional references · sound teams
The sound behind the images.
Projects and interviews: Foley, sound recording and mixing. Find the teams and credits on the official sources.
Source and credits
Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
Shaughnessy Hare and Brittany Ellis explain how sound design, mixing and music build scale, emotion and immersion.
Al Nelson and Gwendolyn Yates Whittle explain the creation of the racing sound world; Juan Peralta and Gary Rizzo take part in the immersive mixing.
Chris Scarabosio, Tony Villaflor and José Antonio García present the film's design, sound recording and mixing work.
Music, sound design and sonic identity by Zelig Sound for Sky Sports, with visuals by Tendril. The idents pair the moving logo with its sonic signature.
Zelig Sound handles sound design, mixing and engine recording for Aston Martin. Agency: Design Bridge; additional sound editing: Solter Studio. A reference for automotive sound recording.
David Fleming and Katie Dippold discuss how composition supports the writing of Widow’s Bay, between mystery, fear and humor. The interview explores acoustic textures and their collaboration; sound roles are detailed at the source.
Tod Maitland, Jeremiah Fraites, David Giammarco and Eric Norris describe on-set voice recording and mixing for Springsteen: Deliver Me From Nowhere. A sound production reference, with team contributions at the source.