Creative reference · editorial
SoundWorks Collection
Interviews with sound teams
Production interviews with sound design, mixing and music teams. Each film presents its speakers and credits on the official source.
9 works documenteds
Works & projects
See the image before reading the sheet.
Previews remain intact as much as possible. Then open a project in Framely for context, educational breakdown, tools and associated courses.
The Sound of Backrooms
Sound team · full credits at the source
Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
The Sound of Spider-Noir
Sound team · full credits at the source
Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
The Sound of The Bear - Season 4
Sound team · full credits at the source
Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
The Sound of Alien: Earth
Sound team · full credits at the source
Interview with the sound team for this production: design of ambiances, sound narration and choice of mixing. Consult the speakers and full credits on the official source.
The Sound of Monarch: Legacy of Monsters
Sound team · full credits at the source
Shaughnessy Hare and Brittany Ellis explain how sound design, mixing and music build scale, emotion and immersion.
The Sound of F1 The Movie
Sound team · full credits at the source
Al Nelson and Gwendolyn Yates Whittle explain the creation of the racing sound world; Juan Peralta and Gary Rizzo take part in the immersive mixing.
The Sound of One Battle After Another
Sound team · full credits at the source
Chris Scarabosio, Tony Villaflor and José Antonio García present the film's design, sound recording and mixing work.
The Music of Widow's Bay
Composition : David Fleming · creation and writing : Katie Dippold · moderation : Charles Steinberg
David Fleming and Katie Dippold discuss how composition supports the writing of Widow’s Bay, between mystery, fear and humor. The interview explores acoustic textures and their collaboration; sound roles are detailed at the source.
The Sound and Music of Springsteen: Deliver Me From Nowhere
Sound recording : Tod Maitland · Composition : Jeremiah Fraites · mixing and sound editing : David Giammarco, Eric Norris
Tod Maitland, Jeremiah Fraites, David Giammarco and Eric Norris describe on-set voice recording and mixing for Springsteen: Deliver Me From Nowhere. A sound production reference, with team contributions at the source.
Continue exploring
